21 December 2012
19 December 2012
Christmas Prelude
O little fleas
of speckled light
all dancing
like a satellite
O belly green trees
shaded vale
O shiny bobcat
winter trail
Amoebic rampage
squamous cock
a Chinese hairpiece
burly sock
A grilled banana
smashes gates
and mingeless badgers
venerate
The asses of the
winter trees
rock on fat asses
as you please
Be jumpy
or unhinged
with joy
enlightened
fry cakes
Staten hoy.
-Lisa Jarnot, 2008
O little fleas
of speckled light
all dancing
like a satellite
O belly green trees
shaded vale
O shiny bobcat
winter trail
Amoebic rampage
squamous cock
a Chinese hairpiece
burly sock
A grilled banana
smashes gates
and mingeless badgers
venerate
The asses of the
winter trees
rock on fat asses
as you please
Be jumpy
or unhinged
with joy
enlightened
fry cakes
Staten hoy.
-Lisa Jarnot, 2008
12 December 2012
Journey Into the Interior
In the long journey out of the self,
There are many detours, washed-out interrupted raw places
Where the shale slides dangerously
And the back wheels hang almost over the edge
At the sudden veering, the moment of turning.
Better to hug close, wary of rubble and falling stones.
The arroyo cracking the road, the wind-bitten buttes, the canyons,
Creeks swollen in midsummer from the flash-flood roaring into the narrow valley.
Reeds beaten flat by wind and rain,
Grey from the long winter, burnt at the base in late summer.
-- Or the path narrowing,
Winding upward toward the stream with its sharp stones,
The upland of alder and birchtrees,
Through the swamp alive with quicksand,
The way blocked at last by a fallen fir-tree,
The thickets darkening,
The ravines ugly.
-Theodore Roethke, 1961
In the long journey out of the self,
There are many detours, washed-out interrupted raw places
Where the shale slides dangerously
And the back wheels hang almost over the edge
At the sudden veering, the moment of turning.
Better to hug close, wary of rubble and falling stones.
The arroyo cracking the road, the wind-bitten buttes, the canyons,
Creeks swollen in midsummer from the flash-flood roaring into the narrow valley.
Reeds beaten flat by wind and rain,
Grey from the long winter, burnt at the base in late summer.
-- Or the path narrowing,
Winding upward toward the stream with its sharp stones,
The upland of alder and birchtrees,
Through the swamp alive with quicksand,
The way blocked at last by a fallen fir-tree,
The thickets darkening,
The ravines ugly.
-Theodore Roethke, 1961
05 December 2012
The Plain
A muddy-wheeled cart goes lurching
between the poplar trees' wide rows
just where the narrow track
cuts from the main road.
Crops, naked fields, horizon
and sky surround a single horse
and driver in a wide frame,
hiding them in fixity that never alters.
The distant here seems very near
and what's near seems far away:
all sing together as one--
everywhere furrows, lumps of clay--
horse, driver and small cart
rolling the work hours way
through slow centuries,
and buried by the nights and days.
-Sandor Weores, 1988
A muddy-wheeled cart goes lurching
between the poplar trees' wide rows
just where the narrow track
cuts from the main road.
Crops, naked fields, horizon
and sky surround a single horse
and driver in a wide frame,
hiding them in fixity that never alters.
The distant here seems very near
and what's near seems far away:
all sing together as one--
everywhere furrows, lumps of clay--
horse, driver and small cart
rolling the work hours way
through slow centuries,
and buried by the nights and days.
-Sandor Weores, 1988
01 December 2012
28 November 2012
Lines for Winter
(for Ros Krauss)
-Mark Strand, 1979
(for Ros Krauss)
Tell yourself
as it gets cold and gray falls from the air
that you will go on
walking, hearing
the same tune no matter where
you find yourself—
inside the dome of dark
or under the cracking white
of the moon's gaze in a valley of snow.
Tonight as it gets cold
tell yourself
what you know which is nothing
but the tune your bones play
as you keep going. And you will be able
for once to lie down under the small fire
of winter stars.
And if it happens that you cannot
go on or turn back
and you find yourself
where you will be at the end,
tell yourself
in that final flowing of cold through your limbs
that you love what you are.
-Mark Strand, 1979
25 November 2012
A little over a year ago I packed up my life and moved to Saskatoon, mostly because the opportunity was there. And Saskatoon brought me the opportunity to go to Norway; unexpected, but welcome, so now I'm packing it all up again (and hoping everything will fit--the Volvo and I have been through a lot together, but she stays the same size while the rest of my stuff keeps expanding).
Look, I'm not going to pretend to know how life works--and I understand my own life least of all. I read a lot of books as a kid (read a lot of books still), and I'm often tempted to impose storybook narratives on things. Really, this is the only thing I can tell you with certainty: I have a plane ticket to Norway. I need to apply for a visa, but if everything goes well I should be boarding a plane in January, and flying to a place by the mountains and the sea where the sun doesn't break the horizon until January 15th. I'll keep you posted.
For now, though--I'm enjoying Saskatoon (Toontown! The City of Bridges! The Paris of the Prairies!) and dealing with all the things that need to be dealt with before I drive home in December (I hit the road in a couple weeks, barring further blizzarding). Mostly research stuff. It's possible I'll manage to write a coherent post about my research eventually, but this is not that post. This post is purely informative, and the information presented is this: I'm moving. Again.
22 November 2012
21 November 2012
Matter
First there was the revelation that I did not matter.
There was a kind of freedom in that.
I could stand in my office above the garage,
In the clutter of files and insurance bills, postits and catalogs,
Thoreau’s “ton of brick,” the finally
Untranscendent,
And be the simple instrument
Of necessity,
Played in this minor, suburban scale.
If this is enlightenment, I thought,
Then it has nothing to do with simplicity,
With silence, the moon suddenly
Gone from the spavined bucket.
It is the moment when the disciple sets out,
Warned against persecution, assured
Of the pentecost,
The testimony in tongues, the single–
Minded speech of what will not cohere.
Here is the tongue of the notebook, like blue coal
Rattling in a half-empty scuttle,
And the broken E-string of my older son’s violin
Like him, a tongue of barely contained fire.
And the bank statements, impolitic, reductive,
The photo album, with its babel of allegiances,
The address book’s aphasiac stutter.
And outside the window, what was there to trust?
If I bowed my head slightly, who can blame me,
Who could not translate any of this
Into any language but belief’s.
-Jordan Smith, 1997
First there was the revelation that I did not matter.
There was a kind of freedom in that.
I could stand in my office above the garage,
In the clutter of files and insurance bills, postits and catalogs,
Thoreau’s “ton of brick,” the finally
Untranscendent,
And be the simple instrument
Of necessity,
Played in this minor, suburban scale.
If this is enlightenment, I thought,
Then it has nothing to do with simplicity,
With silence, the moon suddenly
Gone from the spavined bucket.
It is the moment when the disciple sets out,
Warned against persecution, assured
Of the pentecost,
The testimony in tongues, the single–
Minded speech of what will not cohere.
Here is the tongue of the notebook, like blue coal
Rattling in a half-empty scuttle,
And the broken E-string of my older son’s violin
Like him, a tongue of barely contained fire.
And the bank statements, impolitic, reductive,
The photo album, with its babel of allegiances,
The address book’s aphasiac stutter.
And outside the window, what was there to trust?
If I bowed my head slightly, who can blame me,
Who could not translate any of this
Into any language but belief’s.
-Jordan Smith, 1997
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